At the end of the film there are a variety of techniques with the camera that are used in order to give the reader a better sense of what is going on. When Bruno speaks to Shmuel there is a frame within a frame shot. that is, one can see Shmuel's face through the wire fence. Shmuel is usually always looking down. Many times while him and Bruno are having their conversations there is an over the shoulder shot which shows how Bruno looks at Shmuel, and how Shmuel doesn't lift his head up. On the other hand when mother begins to realize the change that is happening in her household, with her children there are close ups on her face.
For example when she walks into Gretels room and notices the pictures on the wall, the camera zooms into her face and on can see how befuddled she is. Another time Mother's reaction as shown through camera work was when she found out that the Jews were being burned. There was a medium shot, where the reader can see her chest moving faster and faster and her eyes filling with disgust as Kotler walks away. When she confronts father about it, they argue, because she is very very angry. However when the father begins to speak, there is both a high angle shot and a low angle shot. With the low angle shot one can see how furious the father is and how mean he acts towards is wife. With the high angle shot one sees how vulnerable and afraid the mother is as the father yells back at her, making him seem superior to her.
On the other hand there is another over the shoulder shot when Kotler yells at Shmuel for talking to Bruno, this shows that Bruno is not looking at Kotler but instead looking directly at Shmuel's face. When Kotler turns to yell at Bruno to confirm if Bruno was Shmuel friend, the camera faces up in a Low Angle shot. This then makes Kotler look threatening, for that reason Bruno lies. In the next few scenes, when Bruno continues to look for Shmuel in order to apologize, there are dissolving transitions between scenes.
When the soldiers are watching a movie on the life in the camps there is a long shot, which is meant to emphasize the character. One can see the giggling soldiers, the serious ones, and the ones like Kotler who simply stared at Father the entire time. On the other hand when the tutor was telling Gretel and Bruno about how bad the Jews were there is a close up on the tutor. His eyes turn a bit red, and his face is tight though he is extremely angry.
Quote: Bruno: "Shmuel can we go to the cafe or something?"
Shmuel: "Cafe?"
Bruno:"Maybe I should go home" (scene 15).
Reaction:
| Bruno and Shmuel separated by a fence. |